Skip to main content

Low Cut Connie & Electric NoNo 4.12.19


The Sunset
Seattle, WA

Words by Erica Garvey
Photos by Erica Garvey & Baiba Rubino (Broken Clock Photography)


Make no mistake: Low Cut Connie is actually quite buttoned up when it comes to their music-making. The Philadelphia-based rock and roll crusaders played the first show of a sold-out two-night run at Seattle’s Sunset Tavern on April 12. The room, from this vantage point, was too small to accommodate their large and still-growing fan base, but frontman Adam Weiner made himself at home in the tiny quarters, rewarding the friendly crowd with an intimate, energetic show.

Seattle locals Electric NoNo started the evening with a simple setup of guitar and drums. The two brothers, dressed nicely in suits as though they were playing a high school piano recital, are White Stripes-esque in their foundation of rock and roll with a tasteful touch of weirdness. Jared Cortese oscillated smoothly from pure singing to talk-singing to screaming over his electric guitar. The vocals were playfully harmonized with drummer Dominic Cortese, though at no point was the duo overly reliant on the singing or lyrics for entertainment. I could not quite figure out how they were achieving arena-level sounds, but I hope they keep doing it.

Next, main act Low Cut Connie began with Weiner, fully embodying his reputation as an entertainer, walking solo onto the stage, immediately settling in to a moderately-paced bluesy boogie on his upright piano (which reportedly goes by the name of “Shondra”). The crowd was salivating for the full Low Cut Connie experience by the time the other band members arrived on stage for the second song, which launched the performance into a series of swinging rock songs.

Low Cut Connie feels like an extension of Weiner’s self. He moves around the stage, stands on the piano, squats on the piano, reaches into the audience to touch hands, and still subtly directs the rest of the band. The rest of the band members (Linwood Regensburg and Will Donnelly on guitars, Ryan Gavel on bass, and Kim Logan on vocals, tambourine, and guitar) are purposeful enablers of Weiner’s crafted stage vibe. None of them really sat still (with the exception of Seattle-based drummer Karimi), and they all could be spotted singing and laughing at each other through the night. The music is buttoned up, but the performance is refreshingly loose.

Low Cut Connie’s overriding sound is classic piano rock, in the same vein as Elton John. The chords are predictable and about half of the songs have a woman’s name in the title, but the lyrics and melodies are more imaginative than similar rock outfits. The band’s soul shines through in the live performance to make this music feel new.

While I would love to see Low Cut Connie again in a room the size of Sunset Tavern, next time them come to the West Coast I fully expect to be watching them from fifty rows back at whatever venue is willing to attempt to contain that infectious energy.

www.lowcutconnie.com

www.electricnono.com

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. <--- Direct Archive Link www.octopus

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I