Skip to main content

ALBUM REVIEW: Jen Hartswick's Nexus


Words by Kevin Hahn (Split Open & Shoot)

Being considered as “special” or “extraordinary” is somewhat lost these days. Whether one is referring to the latest superstar athlete, well-spoken politician, or ultra-popular restaurant chef/owner there still are not many moments where I sit back and reflect on how truly “special” someone is. Even tougher, is standing out from the crowd musically, especially when you have such a crowded industry. Bands are formed to create harmonious sounds together, as one unified “unit”; a brother/sisterhood that can be felt in a variety of ways: taped recording, LP, and of course the live show setting. But there are those “special” people, who are not contained by the norms of what it means to play in a band.

I am personally drawn to these incredibly rare personalities; those who provide experiences like none other and seem to transcend the musical boundaries we have all become accustomed to loving. Chick Corea. Trey Anastasio. John Medeski. And ever since I saw her for the first time with the Trey Anastasio Band back in 2011, Jennifer Hartswick.

Hartswick is not your ordinary musician. She is a vocal powerhouse, with the ability to hit high or low notes that just don’t seem to make any sense. Her stage presence is electrifying, whether she is headlining her own show (Jennifer Hartswick + Friends was incredible at The 1up Colfax in Denver back in the day) or showing up at Red Rocks to help her friends in Umphrey’s McGee crush “Electric Avenue to Hell”. And did I mention she is a badass trumpet player as well? Jennifer is a true triple-threat, with the ability to enhance any band with her unique and downright “special-ness”. Her latest project, a duo tour with the Nth Power’s Nick Cassarino sees Hartswick playing smaller, more listening-room type of venues where her vocal prowess can really be appreciated. With the tour, comes her latest album/release Nexus which is a great way to introduce yourself to this amazing woman if you have not done so already.

Backed by an incredibly impressive group of musicians (Christian McBride on bass, Natalie Cressman on trombone, Russ Lawton on drums, and Cassarino on guitar) Nexus is a firsthand look into the evolution of Hartswick as a musician. Known more as an integral piece to Trey’s band, or a special guest to groups such as Phish or UM, Hartswick lets loose on this album with an insane showing of her vocal abilities. Songs such as “Numb”, “Silent Waves”, and “Drowning” have Jennifer bouncing all over her vocal range going from high to low with beautiful/smooth transitions. “Do I Move You” shows her in a more rock-like song, with Cassarino giving us some nice bluesy guitar licks to play off of Hartswick’s low growling voice. “I Who Have Nothing” puts Jennifer in a jazzy format, with her playing along with Christian McBride’s legendary bass line, another example of just how diverse Hartswick’s musical ability is.

For me personally though, what is most impressive on Nexus is Hartswick’s ever-improving trumpet playing. Starting on my favorite tune of the album, “You Can’t Take It Back” the trumpet is featured front and center going toe-to-toe with Cassarino’s beautiful guitar work. “Blue Rose” is a slower more instrumentally focused song, with various trumpet playing technique’s being used on top of the light rhythm. And lastly, “Do I Move You” has Hartswick soloing for a good portion of the song with fast and fierce trumpet licks overlaid on top of Cassarino’s bluesy guitar chords. She will always be known as one of the top female vocalists on the jam-band scene, but having the trumpet along with her powerful vocals sets her apart from the rest. It truly makes Hartswick extraordinary, one-of-a-kind, and no doubt “special”.

Do yourself a favor and go catch Hartswick whenever and wherever you can. She has extended plans to tour with Cassarino for the rest of 2018, and you know TAB will be playing the larger venues across the country in 2019. (In TAB, Hartswick goes back and forth with Trey on a variety of songs, most notably Led Zeppelin favorites “Black Dog” and “Dazed and Confused”) And you never know when she will show up at a random Umphrey’s McGee show to usually crush a 1980s cover! But most importantly, buy Nexus and support this absolutely amazing woman on her solo musical journey. She is a special one.

www.jenniferhartswick.com

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. <--- Direct Archive Link www.octopus

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I