Skip to main content

Kitchen Dwellers & Rumpke Mountain Boys 3.29.18


Star Theater
Portland, OR


Words by Mitch Melheim
Photos by Coleman Schwartz Media


Touring together for the first time, the galaxy and trashgrass contingencies collided in Portland, Oregon when Rumpke Mountain Boys and Kitchen Dwellers stepped onto the supposedly haunted Star Theater stage. Each band’s loose interpretation of the bluegrass genre has become their identity, making for an ideal combination of degenerate jamgrass.

Rumpke began the night with an old Jim Reeves song, “Yonder Comes a Sucker,” and a tune that Jerry Garcia made famous, “Ragged But Right.” Originals such as “Go Home Girl” and “Fourdinaire” followed and came with textbook Rumpke themes like the blessing of finding roaches in your ashtray and “drinking Mike’s Hard Lemonade because the fridge is empty ‘til I get paid.”

All four members of this band write and sing songs, and it was perhaps mandolinist Ben Gorley’s “Falling Behind” that was the highlight of the set after guitarist Adam Copeland’s equally relatable songwriting kicked things off. Bassist J.D. Westmoreland eventually added his own voice during “Birds of Paradigm,” a tune off of his solo album of the same name, and multi-instrumentalist extraordinaire Jason Wolf impressed on everything from banjo to pedal steel guitar.

It was out with the trash and in with the galaxy grass as Kitchen Dwellers brought their spacey brand of bluegrass out for a jaunt. The Montana pickers opened with an energetic combination of “Where They Do Not Know My Name” > “Living Dread” before guitarist Max Davies dusted off an old tune about his dog named “Auggie” that he wrote with his old band, The Hollowtops.

Torrin Daniels (banjo) has emerged as the band’s primary songwriter since the departure of former guitarist Kyle Shelstad a few years ago. With that change came a decided new direction in their music and a shift from less traditional folk songs to more progressive tunes with complex structure and plenty of sections to explore instrumentally. Their songs “Shadows” (written by mandolinist Shawn Swain) and “Buckle Down” (Daniels) were both good examples of this new and improved style, the latter of which featured an extended jam with teases of “The Four” (Greensky Bluegrass) and Michael Anderly on trombone.

Anderly stayed out on trombone for a cover of Van Morrison’s “Cleaning Windows” in what I would’ve called the most impressive segment of the night had it ended there, but it didn’t. It was followed immediately by a “Visions of More” sandwich that lasted at least fifteen minutes and concealed a cover of “Bertha” deep in the middle. Rumpke Mountain Boys then joined the stage for an all-encompassing encore of The Band’s “Ophelia,” as the Star Theater staff tried their best to funnel us out of the venue.

www.rumpkemountainboys.com

kitchendwellers.com


Rumpke Mountain Boys: Yonder Comes a Sucker, Ragged But Right, Go Home Girl, Fourdinaire, True Religion, Falling Behind, Kelly Joe's Shoe's, Shelterific, Birds of Paradigm, Just Outside, St. James, Mandella > 1st Lie, Time Stands Still*, Sunny Side of the Mountain

* “California Sunshine” tease

Kitchen Dwellers: Where They Do Not Know My Name > Living Dread, Auggie, Cherokee Shuffle > Paul and Silas, Shadows^, Buckle Down*!, Cleaning Windows*, Visions of More > Bertha > Visions of More

Encore: Ophelia*^^

^ Crazy Train tease
* w/ Michael Anderly on Trombone
! w/ The Four Tease
^^ w/ all members of Rumpke Mountain Boys

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. www.octopusnebula.com Big Gigantic Big...

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least ...

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I ...