Skip to main content

The Heavy Pets & Brothers Gow 1.19.17


Goodfoot Lounge
Portland, OR

Words & Photos By Mitch Melheim


It was a soggy night in Portland, the first after an unusual week of snow and below-freezing temperatures. San Diego’s Brothers Gow made their return to the city’s beloved Goodfoot Lounge along with Florida jam veterans The Heavy Pets who were making their Portland debut.

Brothers Gow fought off some vehicle troubles to make the show in time, unfortunately leaving their lighting designer Matt Collier behind with their stranded van in Olympia as the rest of the band drove a rented mini-van to the show. It’s rare that a band this size travels with a full-time lighting designer, but they take their presentation very seriously, something immediately apparent even without Collier’s lights as the band broke into choreographed dance moves at multiple times throughout their set.

The Gow sound comes with a lot of Umphrey’s McGee “improg” influence, but also contains rich elements of Reggae and Funk among other genres. Guitarists Kyle Merrill and Ethan Wade each provide an impressive ability to play lead, also sharing the vocals with keyboardist Alex Bastine whose nonchalant playing provides a solid foundation for the band to build upon.

The set jumped back and forth from groovy, to a dance party, to the in-your-face shredding you would expect from the Umphrey’s influenced jammers. Frequent use of the vocoder both by Merrill and Bastine proved to be effective and was used as tastefully as you can use a vocoder. The band invited local guitar hero Jimmy Russell of Quick & Easy Boys fame up for a set-closing cover of Peter Gabriel’s “Sledgehammer” that emerged as one of the highlights of the night.

Florida quintet The Heavy Pets closed out the night and quickly acquainted themselves with the local crowd. Another band with two guitarists who can play the hell out of their instruments, this time Jeff Lloyd and Mike Garulli. The Pets pack a strong punch, but typically choose to display a more groove-oriented approach to their music.

Keyboardist Jim Wuest seems to be the most glaring personality in the band, sometimes providing lead vocals, but always blessing us with funny faces as he wails away on his organ. The band’s sound can change drastically depending on if Wuest is playing his organ or the keyboard he sets on top of it.

The Pets built a nice set, not giving away any surprises too early and building to a climactic finish that had those still left in the bar after 1:00 AM demanding one more song, which they got. I was glad to finally get the opportunity to see this band who has been a festival mainstay in the Southeast for years, seemingly adopting the Spirit of Suwannee Music Park as their home base. Teaming up with west coast up-and-comers Brothers Gow for this west coast tour was a good choice and seems to have at least won them over some fans in Portland.

www.brothersgow.com

www.theheavypets.com

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. <--- Direct Archive Link www.octopus

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I