Skip to main content

PREVIEW: Monophonics & Polyrhythmics 10.30 & 10.31.15 (Seattle, WA)


Nectar Lounge
Seattle, WA

Words By Coleman Schwartz
Photo By Scott Shrader (J. Scott Shrader Photography)


Halloween weekend is almost here and live music fans everywhere rejoice for their annual excuse to command the dancefloor in costume. In the eccentric neighborhood of Fremont, Seattle, Nectar Longue will be throwing the craziest party in town. In an epic clash of prefixes, Seattle afro-beat superheroes the Polyrhythmics are co-headlining a two night run with SF based psychedelic soul sextet Monophonics. Friday (10.30) will feature the Polyrhythmics opening up for Monophonics, while Saturday (10.31) will flip the order to allow for a good old fashioned Halloween hometown throwdown, which is certain to extend late into the evening. Costumes are encouraged on both nights, but fervent dancing will be mandatory for admission. Doors will be at 8:00 PM each night, with music starting at 9:00 PM! Tickets for Friday are $20.00 DOS. Tickets for Saturday are $20.00 in advance, $25.00 DOS. A limited number of two night passes remain for $30.00. Purchase online or at the Nectar Longue box office!

Monophonics are best described as a soul-funk band that is becoming more psychedelic rock by the minute. They sound like a child born to Grace Slick and Sly Stone. As they blur genres, their sound is anchored by outstanding keyboard/organ work. Poignant vocals and horns combine to carry the melody beautifully and assure that even at their most psychedelic, the soul influence is not forgotten. Their drumming is very bouncy in a way reminiscent of Seattle psych rockers the Electric Prunes, and the guitarist also uses the correct distortion levels to merit that comparison. Their new album, Sound of Sinning, draws heavily from The Beatles and Beach Boys type influences (think Rubber Soul and Pet Sounds, specifically). These new tracks help to even further diversify their catalog and it should be very exciting to watch them mix all of these styles together live.

Once you see the Polyrhythmics, it is difficult to forget them. It’s not every day that you find an 8-piece group capable of grooving this tightly. Horns and Latin-influenced percussion work (particularly the jug) make key contributions to their extremely distinct and refined sound that has been filling out rooms nationwide. They are all instrumental, and masters of building up a slow, sultry groove into an intricate, funky breakdown that compels even statues to dance. Once the rhythm section has locked into their groove, the horns and guitar add tasteful interplay and jaw-dropping solos to the lush, world-influenced soundscape. Thoughtful songwriting allows the unique talents and sensibilities of each band member a chance to shine. For instance, certain tracks see saxophonist Art Brown bust out his flute (Ron Burgundy style) to transport audiences to an underground 1950s jazz club. Their catalog is large enough that they seriously mix up song selection from night to night. I have seen this group ten plus times in the past two years, and have yet to walk out of a show with anything less than stellar reviews.

Nectar Longue is their home venue and this will be their first performances there since May of this year. These holiday shows are sure to be high energy thrillers, so don’t miss out!

www.nectarlounge.com

Comments

  1. Great article. Makes me want to fly out and see the band!

    ReplyDelete

Post a Comment

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. www.octopusnebula.com Big Gigantic Big...

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least ...

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I ...