Skip to main content

Cabinet 3.27.15


Lost Lake Lounge
Denver, CO

Words & Photos By Brad Yeakel (Optimystic Outlooks)


East Colfax's Lost Lake Lounge was a dismal bunker of Denver's musical landscape. Entering the lounge, I was immediately confronted with the worst layout I've ever seen. The bar arched widely into the floor space by the stage. Behind the bar was a wall obscuring the view of half the room. The result was about 80% unusable area in what may have been an ok space. The walls were a patchwork of drywall, poster board, wood, and trinkets. The vibe was of a rustic workspace housing a barn dance. Though the venue wasn't the classiest I'd seen, it did add an element of antiquity that seemed to work with Cabinet's old timey catalog.

With an advertised showtime of 12:30am, I wasn't alone in questioning the late start. Adding to the delay were sound issues, resulting in a rather short set for the $15.00 cover charge. Fortunately, Cabinet were professionals and delivered a set of high quality. Given the time and setting limitations, the Appalachian ensemble were quick to get into high gear and had the crowd stomping in a hot minute.

Anchored by Dylan Skursky and Jami Novak's rhythm section, the band took turns starting fires on their various instruments. Guitarist Mickey Coviello laid down some impressive flat picking and JP Biondo gripped and ripped his mandolin with power and speed. Pappy's banjo sang melodic lines between blazing riffs, but fiddle playing Todd Kopec was simply playing out of his mind. He was passionate, vibrant, technical, versatile, and downright show-stealing. In a relatively short time, Cabinet had worked their way onto the list of my favorite bluegrass bands, and the Lost Lake Lounge was full of people who shared my enthusiasm for the Scranton Sextet.

With their characteristic traditional flavor, they sprinkled in a variety of covers, old songs, and new ones, all with their own brand of bluegrass. My favorites were "Heavy Rain," "Dove," and their cover of The Byrds' "Mr. Spaceman." Their chemistry was organic and they salvaged what was shaping up to be a disappointment through sheer talent and professionalism.

I hadn't seen Cabinet since their last journey to Colorado in 2012. I was sure that was due to their limited exposure in the Mile High. A young lady I talked to said that they reminded her of the early years of String Cheese Incident, and she was having a blast. She told me she hadn't even heard of them before a friend asked her to come out to the show. So, the word was spreading, which gave me hope that the next Cabinet-rado run might come sooner than later.

At 1:45 AM I attempted to buy a beer and was told it was "shots only," because of the time. At 1:50 AM, Pappy told the crowd they had a few more for us... Attempting to give us a little something extra. He was immediately amended by the staff telling him only one more. At 2:00 AM an employee came around to collect any unfinished beers and shoo us all out the door. We refused and volunteered to slam the beer before leaving (which he allowed). I left hoping the next time I saw Cabinet would be in a better setting, one in which the patrons weren't treated so poorly. Good thing those boys could play!

Brad's Photo Gallery

www.cabinetmusic.com

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. <--- Direct Archive Link www.octopus

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I