Skip to main content

Head For The Hills with The Grant Farm feat. Benny Galloway & Gipsy Moon 5.17.14


Mishawaka Amphitheatre
Bellvue, CO

Words, Photos & Video By Nicholas Stock (Fat Guerilla Productions)


It’s been ten short years since Head For The Hills first took the stage at Mishawaka. This particular annual concert has evolved from humble beginnings into a springtime celebration and the official opening of the summer season at The Mish. In more recent years it has become known as ‘Pickin’ On The Poudre.’ This year’s lineup made for a hometown throw down and an absolute celebration of Colorado Grass… a bluer strain perhaps? Not to mention it was bassist Matt Loewen’s birthday so things were bound to get crazy. I opted to ride up with a friend as we encountered a strong spring storm as we turned past Ted’s Place and up the Poudre Canyon. The rain subsided by the time we arrived and after grabbing tickets I again found myself smack dab in the happiest place in Northern Colorado.

Gipsy Moon continues to spread the their brand of foot-stomping; jazz-inspired bluegrass up and down the Front Range and well beyond. With sets at Palisade Bluegrass, Northwest String Summit, and Arise Music Festival, this summer alone it’s obvious that this band will stop at nothing to spread the ‘Gipsygrass.’ I originally took notice of this band given the fact that Vince Herman’s progeny, Silas, was playing mandolin. However over the last few years, I have seen this band grow and their focus on the music is evident with every performance. Their opening set at Mishawaka had everything I’ve come to expect from these Nederlanders. The more recent addition of Andrew Conley on cello elevated their sound to a new level as he utilized his bow to great effect. In honor of the precipitation Gipsy Moon performed a beautiful, driving pair of originals “Spring Rain” and “Rain Song.” Their vivacious style of jazz infused string music is infectious plain and simple. As they played on the skies cleared and the venue filled with happy music fans.

It was dark before The Grant Farm took the stage. Tyler Grant has dedicated everything to this group as a vehicle for his passion to play and write music. This show follows the release of their newest album Plowin’ Time, which was funded by a Hail Mary push on Kickstarter. Grant’s band has evolved from its roots with Andy Thorn and Keith Moseley and now he leads a group of young guns that rip it up convincingly. Adrian Engfer on bass, Stephen Thurston on keys, and Sean Macaulay on drums back flatpicking master Grant on his electric guitar. Many come to a Grant Farm show with certain expectations based on Tyler’s history with Emmitt-Nershi Band and his ability to destroy an acoustic guitar. This versatile group who can go from reggae to face-melting rock to funk effortlessly shatters those expectations. They treated us to the reggae-grass-tastic title track of "Plowin’ Time" before honoring Benny “Burle” Galloway. Grant wrote “The Song of The Wayward Son” about Burle, which they played before inviting him out for the remainder of the set. They went into a rough sawn version of JJ Cale’s “Call Me The Breeze,” which felt spot on.

“This one goes out to all of you, especially… all of you.” –Benny “Burle” Galloway

Galloway is a Colorado legend who has lent his picking and songwriting services to just about everyone of note in this picturesque state. Most famously with Yonder Mountain String Band’s album Old Hands on which he wrote all 13 tracks. He was a welcomed addition to the night’s festivities.

Finally, it was time for the main event. Head For The Hills came to their instruments as the bubbly Poudre River raged just behind the stage. The clear sky reassured the crowd and the temperature didn’t drop as it has in previous years. It was the perfect night for an acoustic explosion, and that’s exactly what was on the menu. H4TH played two sets with a break that was maybe 15 minutes. They invited Tyler Grant and company back to round out the first set. The show itself was the perfect blend of new and old from their catalog. Now classic tunes like ”Goin’ down” and “Dependency Co.” dotted both sets. Fans were treated to a new song written by fiddle player Joe Lessard that has yet to receive a title. In fact, Matt asked the audience for suggestions, I would call it “Prescribed Addictions,” but I’m a cynic. They also invited keyboardist James Thomas out for the bulk of both sets. He adds another dimension to their sound, giving a fullness and crispness that is truly appealing. Their instrumental tunes induced a dancing frenzy where fans locked in with the band. This set was another amazing experience at the Mishawaka. This place is magical and worth a visit even if a band is not playing. Thankfully, on this peaceful night in the Poudre, three absurdly talented bands took the stage and gave a sold out crowd something to remember.

Nicholas' Photo Gallery

www.headforthehillsmusic.com

Comments

  1. Nick I thought you did a wonderful job explaining each music experience. Well done my son.

    ReplyDelete

Post a Comment

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. www.octopusnebula.com Big Gigantic Big...

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least ...

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I ...