Ogden Theatre
Denver, CO
Words, Photos & Video By Nicholas Stock
Audio By Brad Ziegler
Saturday felt downright balmy with the mercury hovering right around 0 degrees. Most fans spend the daylight hours either hunkered down beneath layers of blankets or they opted to go to the Jay Blakesberg Jam book signing. Rumor had it that moe. would show up and they most definitely did. After a short performance and a bit of revelry for Jay it was all over and time to focus on round two. Doors again opened at 8 PM with Technicolor Tone Factory starting up right around 9 PM. I’ve seen the TTF name floating around the Front Rage scene for a short while now. This was my first opportunity to see them perform live, and I have to say I was impressed. Tight riff-heavy jams were the hallmark of a band that defies categorization. It’s as if elements of Daft Punk and Jimi Hendrix went to a secluded cabin in the woods and came back with a love child. That love child is Technicolor Tone Factory. This five-piece is one to keep an eye on. Their original “Heist” into a spot on version of Ted Nugent’s “Stranglehold” was a real highlight of the entire evening. Their performance at The Ogden on Saturday was both musically skillful and totally proper given the audience. I wouldn’t be surprised if Technicolor Tone Factory makes their way to a festival near you this summer.
moe. stuck to the game plan and again made their way onto the stage a little after 10:00 PM. They opened up the night with a crunchy “St. Augustine” that contained some serious shredding from Mr. Chuck Garvey.
moe. Live at Ogden Theatre on December 7, 2013.
Set One: St. Augustine> Wind It Up, Bluejeans Pizza*> Waiting For The Punchline, We’re a Couple of Misfits, Jazz Wank> Buster
Set Two: Queen Of Everything> George, Captain America> Seat Of My Pants>Yodelittle> Lazarus> Yodelittle, Dr. Graffenberg
Encore: Akimbo
*w/ Taylor Frederick of Technicolor Tone Factory
Night two was a literal parade of crowd pleasers, several done with a great attention to detail and with much panache. “Wind It Up” was straight forward, but they invited TTF guitarist Taylor Frederick out for a little extended collaboration on “Bluejeans Pizza.” This particular version went well over fifteen minutes and included lockstep transition into a perfect “Waiting For The Punchline.” moe. just knows how to build a proper set. Peaks and Valleys, ebbs and flows, they get it. “Punchline” just exploded into an all out dance party before the band gave a two minute tease with their punkish rendition of a rare tune off of their 2002 Season’s Greetings album, “We’re a Couple of Misfits.” “Jazz Wank” went sort of bouncy as they built the intricate layers of that song. They segued beautifully into the set-closing “Buster.” A great closer, this song became a giant sing-along before moe. called it a set.
The Ogden overall seemed relatively relaxed. Perhaps the jitters of running a live music venue in the one of the first states to legalize it, have finally subsided. The crowd too, seemed to be fairly in tune with the band. There was a distinct lack of utter spunions dotting the perimeter. All in all, the atmosphere on Saturday night was damn near textbook. moe. opened the second set with a tight and invigorating “Queen Of Everything.” Jim Loughlin and Vinnie Amico went back and forth on percussion, pushing the song to its absolute limit. The subtle segue into “George” did little to foreshadow the massiveness of this version. Al blasted off on vocals as the rest of the band fell into a stone groove. The band finally paused momentarily before again launching off into a much appreciated “Captain America.” Chuck and Al shared the microphone for “Seat Of My Pants,” which went intensely metal for the jam. The “Yodelittle” sandwich with “Lazarus” as the baloney was the highlight of the second set. They closed with an incredible “Dr. Graffenberg” and continued the recent tradition of pushing this song into the psychedelic stratosphere through deliberate and distorted jamming.
Again Al, paid his respects before they launched into a one song encore. This time fans were treated to a high-energy burn in the form of “Akimbo.” Having seen moe. now 55 times I can honestly say that this is a band that comes to play. Night after night they throw down. Although their tour schedule has retracted a bit due to family and what not, they are still one of the hardest working bands in the live music scene today. Both shows at The Ogden were solid and despite the weather fans enthusiastically engaged in the experience. As we wandered out into the late night on Colfax I was struck by a thought. Summer Camp is just around the corner, until then moe.
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