Skip to main content

The Mantras' Jambands Ruined My Life


Words By Brad Yeakel (Opti Mystic Outlooks)

The Mantras, up and comers on the jam scene from North Carolina, have been on the outskirts of my radar for a few months. Recently, they've infiltrated my Facebook feed and popped up playing with some of my favorite musicians. So when the opportunity to review their new album arose, I was excited to finally hear what all the fuss was about. Especially once I learned it had been recorded in Jake Cinninger's (Umphrey's McGee) studio and featured the monster guitarist on two tracks. Jambands Ruined My Life began with a tune called "Before My Time." It was a technical rocker that jumped right in with the riff rock I'd expect from a project Cinninger guest produced. Through twists and turns, the tune set the pace, preparing me for progressive compositions, dynamic genre changes, and skilled musicianship.

"Kinetic Bump" dropped with synthesizer grooves, funk guitar layers, and energetic rhythm. The muted lead guitar line added a submerged dimension to the groove. After a slight break from guitar, both guitars emerged to play parallel lines. The solo which followed was nice, but the groovy breakdown provided a landing space with heavy potential. When the key solo hit, the potential became kinetic and the song earned its title. "House of Cards" started with a generic rock progression. The vocals had an element that reminded me of John Bell (Widespread Panic), but wasn't quite as gruff. The organ provided an element that gave the song more character, and ultimately there were some nice passages in the song. It wasn't my favorite track on the album, but it had more than I initially gave it credit for.

"Water Song" began with waves and a little guitar groove, the chorus and reverb effects created a nice ethereal tone. The vocals on this track were a little different. There were elements of it I liked, but there was also some aspect I found a little amateurish. The lyrics seemed a little better on this tune also. The jam was preceded by a nice progression that reminded me of the Grateful Dead before dropping into a little funky breakdown. When the guitar and clav teamed up to take the tune for a ride, I saw that this band had some serious psychedelia and the dance party to offer. "JBRML" was ethereal and allowed me to drift off thinking about other things... Porcupines, Monday night football, sleep, falconry, velvet Elvis paintings, and Kingsford charcoal. I know, that was weird, but once I realized my mind was wandering, I decided to see how far it would go. That's how far.

"After Awhile Crocodile" began with a heavy riff and snapped me out of the hypnotic spell. A meandering melody challenged my commitment, but I persevered and found myself in a bizarrely timed jam. As shades of Moe. surfaced, I began to wonder how much they tried to sound like their various influences given the album's title. From String Cheese to the Dead, Moe to Phish, Biscuits to Umphrey's, the band morphed sounds, often touching on grooves that reminded me of each. "Dr. Ssanasinod" reminded me of a song name from the Biscuit or Umphrey's catalogue. The song could have been a collaboration of those too bands to be honest. The guitar solo took more of a Government Mule tilt, but ultimately led back to a driving rock riff. The chorus' return had the feel of landing back where we began.

The album concluded with a tune called "Man You Rawk," and with a title like that, I was expecting something drastically different than what I got. What began as an interesting dance beat revealed itself to be based on a Middle Eastern sounding melody. The correlation with the song's sound and the band's name seemed apropos, and before long I was on a journey that reminded me of the cultural musical fusions found in String Cheese Incident favorites like "Rivertrance" and "Bollymunster." Overall, the album nodded to all those that came before them in one way or another, and proved to me that there was something to this Mantra thing. If they think jambands really ruined their lives, I have a hard time believing it.

www.themantras.com

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. www.octopusnebula.com Big Gigantic Big...

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least ...

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I ...