Skip to main content

Euforquestra & Jet Edison 5.4.13


Hodi’s Half Note
Fort Collins, CO

Words, Photos & Video By Nicholas Stock


Euforquestra has traveled through the murky waters of change and emerged triumphant and unscathed. Musically, the adversity of losing a founding member could be enough to rock the very foundation on which any band is built. This is not the case with Euforquestra. They continue to tour relentlessly and are currently celebrating their tenth year on the road. The one two punch of Craig Babineau on drums and Scott Mast on percussion have become the new foundation on which Euforquestra is plowing ahead. Both have rock solid licks reminiscent of the Joimoe/Trucks combo when they push past the Southern Rock and into the World Funk. Matt Wright on keys has truly stepped up and has wholeheartedly embraced playing the front man singing with a silky demeanor that really pleases. With Jeter recently becoming a father, his time on stage has been limited, which means there have been a number of local players who have sat in on second sax. This has allowed for a freshness to seep into their overall sound and it leaves room for the unexpected. One unexpected turn was their headlining set at Hodi’s Half Note.

It has been two years since their last rendezvous at this Fort Collins establishment. With headlining gigs at the Aggie and all around Colorado, it was a real treat to see them playing a smaller room. The night began with Rudie Clash, a Dubskin side project featuring lead singer Jamal Skinner and keyboardist Jason Wieseler, in a strange amalgamation of roots reggae and dub sonic sounds… but we’ll get to that in a minute. I arrived as Jet Edison was hitting the stage with their original “Gold.”

Set One: Gold, Places, Style Of The Times, Wasted, Simon, Wading Through The Rubble, Burn This Disco Out*, Undercover

*w/ Austin Zaletel on Sax



This tight four-piece from Boulder knows how to rock. Lead by keyboardist Phil Johnson who will occasionally pull out a trumpet too. They are a convincing jam powerhouse to say the least. With a new album due out this year, they have plenty to prove. Touring with enthusiasm, it’s impossible to go more than a couple months without catching them live here in Colorado. These four formed a bond in college through late night jam sessions and lots of time on the road. That bond is evident in their transitions and in songs like “Wading Through The Rubble,” which takes on a driving swing feel as they navigate the debris. They tossed it back with a version of Michael Jackson’s “Burn This Disco Out,” with Austin Zaletel sitting in on sax before ending the show with “Undercover.”

The setbreak was filled in with self-proclaimed “ugly” music producers, Rudie Clash, consisting of Jamal and Jason from Dubskin. They too are on the cusp of releasing a new album and have developed a wholly unique sound. To say that I enjoyed it as much as seeing Dubskin would be an untruth. Jamal is a true showman and will always engage his audience with his bombastic style. That being said this blend of electronic dub and his vocals was a bit jarring. If you are a fan of roots reggae blend and electronica I would recommend you check them out.

As Euforquestra took the stage I found myself wondering why the room was only half full. With finals approaching and many students getting ready to head home for the summer, perhaps they just opted out of going. This was the wrong choice. What followed was a two-hour blast through all the things that make me love this band. Opening with “Backbone” Euforquestra started the night like a freight train.

Set One: Backbone, Cause A Reaction, Milk & Honey, Obatala, Called You, Yogi’s Day Out, The Events of December 11, Solutions*, Madison Square**, Nausea, 64:18, Price Is Right, Instant Coffee, Dr. Standby

Encore: All Light, Hang Ups

*w/ Jamal Skinner on Vocals
**w/ Phil Johnson on Trumpet and Nick on Saxophone

This was a hometown show with the warm feel of a family throw down. Huge versions of “Cause A Reaction” and “Obatala” got the show moving. They pulled out a classic Euforquestra tune “Called You,” which was originally sung by Matt Grundstad and is now crooned by keyboardist Matt Wright. Wright’s vocals can simply be described as clean. He just nails it. “Yogi’s Day Out” was a blast, but “December 11” really sucked in the crowd. They brought out Jamal to sing on “Solutions” before inviting Phil and Nick to fill out the horn section on the instrumental cover of “Madison Square.” They rounded out an epic set with a 1-2-3 punch or originals culminating with an immense set-closing “Dr. Standby.” This show had everything a music fan could want. Hard hitting percussion backing a world approach to music that has been the hallmark of Euforquestra since the beginning. They closed with a two-song encore that included a great version of “Hang Ups.” Through thick and thin Euforquestra perseveres and continues to create amazing music and incredible live performances across the country. The next time they come to your town get out and make sure you bring your dancing shoes.

Nicholas' Photo Galley

www.euforquestra.com

www.jetedison.com

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. <--- Direct Archive Link www.octopus

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I