My general aversion to electronic music is well known. Although I have enjoyed a few forays into the genre my general reaction is not positive. However, I’ve seen some electronic groups play organically, as a unit, and the music is more textural than dubstep. These are the types of electronic artists I’m drawn to. Particle is one such band. Up first was New Orleans natives, EarPhunk. These guys are the next generation behind the Galactics and the Dumpstphunks of The Big Easy. They fluidly blend jam and funk in a balanced way that makes it fun for the audience. They did get riff-y at times, but that’s to be expected from a younger band still developing their sound. They started their set to a sparsely filled room, which would eventually get about a third full. Overall their brand of funk influenced jam won me over and will give me plenty of reason to give them another listen.
Having seen Particle for the first time around 2001 in a tiny bar in Iowa, I’ve watched this band grow and evolve over the years. The recent inclusion of former full-time guitarist, Ben Combe into the mix certainly seems to have reinvigorated Particle. Their show at the Aggie was both hilarious and technically stunning. Let’s start with the hilarious.
Setlist: Sledgehammer, Funkytown, Let’s Go Crazy, Electric Avenue, Once In A Lifetime, Pump Up The Volume > Rockit > Material Girl > Pump Up The Jam, The Final Countdown > Money For Nothing, Safety Dance > Launchpad Outro, It Takes Two >
Wild Thing > It’s Tricky > Bust A Move, Don’t Forget About Me, You Can Call Me Al, Sweet Dreams
Encore: Paradise City, Eye Of The Tiger > Sun Mar 11 Outro
From the opening guitar line of “Sledgehammer” I was grinning from ear to ear. Particle has their specific smooth style of electronica, but their take on the music of the 1980’s was fairly straightforward and strangely accurate. The setlist screams of lightheartedness, but don’t be fooled they absolutely shredded these classics. None more so the massive “Pump Up The Volume’ lead run that featured an enormous version of “Pump Up The Jam.” It was like a big musical sandwich with wheat bread on the bottom and rye on top. Particle never shied away from intricately composed pieces such as “The Final Countdown.” Perhaps the silliest moment of the night came in the form of “Safety Dance.” They ended the set with their version of the Eurythmics, “Sweet Dreams.” The massive encore included a nod to both Guns N’ Roses as well as Survivor. It was an amusing and entertaining show all around. Combe killed the guitar adding an interesting layer to their sound overall. Steve Molitz continues to be the musical focal point with the lockstep rhythm section of Eric Gould and Darren Pujalet holding it all in check. Particle back to their old tricks, firing on all cylinders, and truly gelling on stage. I would definitely do it all again.
Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. <--- Direct Archive Link www.octopus
Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least
Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I
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