Skip to main content

The Motet's "Best of Halloween" 1.28.12


Cervantes Masterpiece Ballroom
Denver, CO

Words By Nicholas Stock
Photos & Video By Nicholas Stock


The Motet rounded out their two night sold out run with a "Best of Halloween" show with local act The Congress supporting. January 28th was bandleader and drummer extraordinaire, Dave Watts’ birthday. I headed down early during soundcheck to take some shots for The Motet’s promo video about their inclusion in the lineup for Wakarusa. After getting what we needed on video, myself, J-man, Carly and sax player Pete Wall met up with J-man’s brother, Brandon (who was also celebrating a birthday) and his girlfriend, Katie. I should add that this was also the nine-year anniversary of Cervantes and the old girl couldn’t be looking better. I rarely make it down because the lineup has skewed to the more electronic side of the scene, but every time I’m there I notice further improvements. The lighting rig and stage have truly evolved into solid setup, but this time around I noticed new sound baffling and some interesting lighting over the bar. It’s awesome seeing Cervantes transform into the room that I always knew it could be. So with festivity in the air I met up with my brother and friend Sean who was visiting from Iowa for the show.



The Congress took the stage shortly after 9 PM. When I saw them on the bill I was stoked, because they are one of the few truly impressive acts that has bubbled up to the surface in the last year or so. They opened with a rocking "Loretta."

The Congress Live at Cervantes Masterpiece on January 28, 2012.



SET I: Loretta, Pullin’ Weeds, Hundred Miles, Johnah Gideon, Minutes*, Fall, Keep Virginia, Walls, Dixie Chicken**, Distance

*With Pete Wall
**With Dan Schwindt & Joey Porter

Setlist Provided by Scott Lane of The Congress

I’ve said it before, and I’ll say it again, The Congress is a forceful rock outfit that combines great vocals and a level of tightness that is truly compelling. With Meadows tossing out y’alls to the crowd they create a relaxing vibe with every note before blasting off into their own brand of rock and roll. Overall this set took down the intensity level with The Congress demonstrating some of their slower tunes such as "Minutes" and "Keep Virginia," but they didn’t hesitate to show their dynamic range with tracks like "Walls." The highlight of the set was their original face-melter "Johnah Gideon" which is both riff-y and well written and the Porter/Schwindt sit-in on Little Feat’s "Dixie Chicken." I was very happy with their set and will continue to recommend to anyone seeking out a great rocking time to check them out.

In between the sets DJ Mikey Thunder spun for the crowd. I have to say I was not that impressed. I know he is well liked and that he has his own brand of jazzy whomp, but on Saturday he missed the mark. I felt like he came up short and didn’t fit into the overall flow of the show. It felt like an unnecessary add-on to an already strong lineup.

The Motet came on around 11:15 PM and kicked it all off with Jamiroquai’s "Emergency On Planet Earth," a funky way to set the mood.

The Motet Live at Cervantes Masterpiece on January 28, 2012.



SET I: Emergency On Planet Earth, We Can Work It Out, I Feel For You, Dear Prudence, Runnin’, Call My Name, 1+1+1=3

SET II: Shinning Star, Too Young To Die, Magic Mind, Take Me To The River, Fair But Uncool, Virtual Insanity, Only So Much Oil

ENCORE: That’s The Way Of The World, Blame It On The Boogie

Seeing The Motet perform their "Funk is Dead" show in October and play a show of originals on New Year’s Eve, I was ready for this Best of Halloween extravaganza. Motet is truly accomplished with their style of electro-funk, but could easily be considered Jam’s best cover band. I say that because their Halloween tradition of covering a band’s repertoire has become incredibly popular on the Front Range and is a guaranteed sellout run. Furthermore it’s not like they are playing straight covers, they truly take the material and make it their own, which is most evident with their "Funk is Dead" shows. The first set saw two Beatles tunes with "We Can Work It Out" as well as "Dear Prudence," the later of which was my highlight. They ended the set with a duo of songs from Prince in the form of "Call My Name" and "1+1+1=3." Musically they sounded great. The extended lineup of The Motet with Paul McDaniel and Kim Dawson on vocals as well as Dan Schwindt on guitar, who is a member but only plays select dates, is truly a sight to behold. With 12 people on stage there is so much talent that at times my head was bouncing around like a pinball machine to catch all the action. They ended the first set with Dave Watts’ birthday celebration. A unicorn piñata was lowered while Dave took a few swings before it exploded showering the crowd with adult party favors.



DJ Mikey Thunder again played the setbreak and kept the mood celebratory by playing birthday themed cuts. The Motet came back to play around 12:30 PM and played until close. The second set combined with the first to give the fans a smorgasbord of what they offered on Halloween over the years. They opened with Earth, Wind, & Fire’s "Shinning Star." The Motet came out with their version of Michael Jackson’s "Magic Mind," which was sick but the peak came with the Talking Heads’ "Take Me To The River." They closed the set with the funky "Only So Much Oil" originally by Tower Of Power. Typically they have stayed closed to funk as it is their forte, but in recent years they have begun to apply their inherent funkiness to bands that don’t necessarily fit that mold. It just shows that they are thinking bigger and it has paid off for them. They are playing a number of festivals this summer and are beginning to branch out with their touring. It’s time for Colorado to share the awesomeness of The Motet with the rest of the country.

They encored with another Earth, Wind, & Fire track with "That’s The Way Of The World" and the Jackson 5’s "Blame It On The Boogie" that was a funky punctuation mark on the whole experience! I was stoked on the whole show proving to me once again that no matter what, The Motet delivers. They play with a power and intensity that always makes them worth the trip. Good luck to them as they begin to really branch out this summer. The time is right.

Nicholas' Photo Gallery

www.thecongressmusic.com

www.themotet.net

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. <--- Direct Archive Link www.octopus

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I