Skip to main content

Adrian Belew Power Trio 10.6.11


The Magic Bag
Ferndale, MI

Words and Photos by Greg Molitor
(ReMIND Photography)

I arrived to the Magic Stick with my buddy Adam a few minutes before the start of the show. I’d never seen the venue as packed as it was this night, and at first glance, I thought I’d taken a wrong turn towards a chess match reunion rather than a rock show. Adrian Belew (King Crimson, Talking Heads, Frank Zappa) and his power trio took the stage to an almost motionless crowd. In fact, the crowd was hardly responsive throughout the entire night. Maybe they were veterans that knew what they were getting into? Who knows? One thing for certain... Adrian Belew is an masterful guitarist, quite possibly the most expressive I’ve ever seen at his instrument. Channeling some seriously sick tones right off the bat, he and his power trio played mostly his solo tunes during the first set, the majority from his latest album titled E. Belew was flanked by bassist Julie Slick and drummer Tobias Ralph, both youngsters who clearly were enjoying their time onstage with the journeyed axeman.



During the second set, the Adrian Belew Power Trio was joined by openers the Stick Men. Consisting of two of Belew’s former band mates, Tony Levin (bass, Chapman Stick) and Pat Mastelotto (drums), as well as Chapman Stick virtuoso Michael Bernier, the Stick Men added a fullness to an already explosive sound. The hybrid sextet moved through the King Crimson-heavy set with dominating ease, performing tunes such as “Red”, “Frame by Frame”, “Dinosaur”, and “Indiscipline,” a song that capped the performance beautifully with its progressive time signatures, modal melodies, some insane vocal babbling by Belew that had the crowd on their toes, anxiously anticipating the next wild instrumental ride within the tune.




After a very short encore break, the sextet returned to the stage and nailed the Crimson classic “Thela Hun Ginjeet”. After they concluded, the entire band came out and took a bow. The older audience that had remained relatively subdued throughout the show finally loosened as it give the band an incredible ovation that was much deserved. I left in a confused state, wondering what I had just seen. It’s very rare that I leave a show thinking, “How in the hell did the band just do that?” It’s a welcomed feeling, and I encourage any fan of King Crimson or Adrian Belew to check this group out for themselves. You won’t regret it.

www.adrianbelew.net

Greg’s Photo Gallery

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. www.octopusnebula.com Big Gigantic Big...

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least ...

Billy Strings 4.18.19

Salvage Station Asheville, NC Words by Jason Mebane Photos by J. Scott Shrader Photography When asked to write a review of last week's Billy Strings show at Asheville, North Carolina's Salvage Station I almost passed on it. I just wrote a review of his last Asheville show a few months ago and I thought it may be hard to come up with another set of words to describe to the readers exactly what a Billy Strings show is all about. I am sure there are a plethora of other reviews that other people have written focusing on how well he has mastered his instrument. I suppose I could recycle those thoughts and just sit here typing out a few adjectives describing each note Billy and his superb backing band played this past Thursday night, but that wouldn't be fun for me. Additionally I'd imagine a review like that wouldn't keep your attention either. Instead I have decided to focus on a few random parts of the Billy Strings show that seemed interesting to me. One: B...