Skip to main content

Wednesday World Beat: Peter Tosh


Words By Greg Molitor (ReMIND Photography)

Today we celebrate the life and musical offerings that Peter Tosh (born Winston Hubert McIntosh) graciously gave to us throughout his career. Nicknamed ‘Steppin’ Razor’, Tosh and his politically passionate approach to making music inspired a curious new generation of Reggae fans. Unfortunately like many of the musical geniuses who fell before him, his passing was the sort of tragedy that defies all logical explanation. Gone too soon, he was, but what Tosh left behind for us still connects humanity throughout the world, one beat at a time.



During this backstage interview from 1979‘s Reggae Sunsplash Festival, Tosh speaks of the linkage between reggae and spirituality. Radiating with calm confidence, he clearly understood the universal power of his music.



Here we find Tosh performing “Walk and Don’t Look Back” with The Rolling Stones’ Mick Jagger. Tosh, the first artist signed to The Rolling Stones’ record label, gained a much larger fan base from his relationship with the British superstars who happened to be enamored with reggae music at the time. The partnership lasted three years and was often tumultuous, but because of Tosh’s work with the Stones, millions of people have had the opportunity to hear his fiery message.



Tosh’s most famous work is Legalize It, a solo debut album released in 1976. With Legalize It, he separated himself from his previous work with Bob Marley and Bunny Wailer and proclaimed to the world that he was indeed an artist that could stand on his own principles and ideological beliefs. Above is a live performance of the album’s title track from 1976. Always a crowd favorite during a Peter Tosh performance, the anthemic tune continues to bring together marijuana legislation reformers, reggae fans as well as general music enthusiasts across the globe. Long live Peter Tosh!

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. www.octopusnebula.com Big Gigantic Big...

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least ...

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I ...