Skip to main content

Saturday Bluegrass: Phish



Words By Andy Zimmer

To attend a Phish show is to witness a four-headed musical chameleon of genre-bending audio assault. The guys from Vermont have drawn from an incredibly broad spectrum of the musical palate over the course of their career. Perhaps the only thing more eclectic than the influences that Phish draw from is how they package those influences in their music in a live setting. It’s not unusual to hear Phish seamlessly transition from calypso, to funk, to reggae, to psychedelic freak-out all within the same song. To try and pigeonhole Phish within one vein along the continuum of music is laughable... these guys have defined themselves by being indefinable.





Phish truly uses their live show as a platform to explore all of what moves them in the world of music. After one show, it would be evident to anyone in the audience that the band has a great love for bluegrass. While the bulk of the “Phish sound” is far removed from the world of banjos and flat-picking, Phish has put their own spin on bluegrass and showcase a Phishgrass number or two at every show. Whether they come in the form of a traditional bluegrass number or a quirky Phishgrass original, Phish routinely embraces the influences of old time music.





Bassist Mike Gordon may be the prime driving force behind Phish’s bluegrass adventures. Gordon has been a banjo player for nearly two decades and adds the lead vocals to a number of the bluegrass tunes in Phish’s repertoire. In fact, in 1992 Gordon began taking banjo lessons from fellow musician and Vermont resident Gordon Stone. Since then, Stone has made numerous on-stage appearances with the band, and has contributed to several albums. As a band, Phish went a step further in honing their bluegrass chops. In the middle of their fall 1994 tour, the band flew Jeff Mosier (an accomplished musician of Blueground Undergrass fame) out to jump on tour with the band and help teach them the finer points of bluegrass. Mosier had sat-in on banjo with the band as early as 1990 (during his days playing with the Aquarium Rescue Unit). During his time on tour, Mosier definitely aided the band in upping their bluegrass competency, and sat-in at each show.





Over the years, Phish has continued to incorporate elements of bluegrass into their shows and has welcomed numerous guests from the bluegrass-world to join them on stage. The band has been fortunate enough to share the spotlight with such talented artists as Bela Fleck, Del McCoury, Sam Bush, Jerry Douglas, and Tim O’Brien. Hopefully the band continues to embrace the high and lonesome sound well into the future, because there are few things that are quite as enjoyable as a bluegrass breakdown in the middle of a Phish show.





www.phish.com

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. www.octopusnebula.com Big Gigantic Big...

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least ...

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I ...