Skip to main content

Tony Furtado Band 3.10.11


Words By Nicholas Stock (Phat Phlog Photo Blog)

I heard about Tony Furtado Band playing at a coffee shop kind of last minute, but when I saw who he was playing with, I was sold. Tony had assembled local stalwarts Eric Thorin and Tyler Grant alongside veteran Jim Christie on the kit. It’s a nice ensemble to say the least, so Amy and I made our way down to Everyday Joe's which doubles as a church on Sunday mornings. I grabbed a hot cocoa and a table to the right of the stage. People slowly filled the room, and at its peak, there were only fifty people or so that attended including the staff. Tyler Grant took the stage with just his guitar to get the show started.

It was a subdued but incredibly attentive crowd. It felt sort of special considering the lack of a large audience and the talent we were about to witness. Sure, hundreds of my friends were at The String Cheese Incident at 1st Bank, but I had no problem being at a church witnessing some fantastic acoustic music. Towards the end of his first song, a train passed through town with a loud honk, prompting Grant to say, "Wrong song." He then went into an appropriate “Mr. Railroad Man”, and as he struck the last note the train vanished from the massive windows at the front of the room. He played a couple instrumentals before heading off the stage. At this point, four women took the couch to my right. I don't know why it happens but even in the most subdued environments there always seems to be a handful of girls who think they are at a bachelorette party. They were a slight distraction because no one else was taking above a whisper. Grant left the stage and Furtado made his way up with Thorin and Christie. They played as a three-piece before inviting Grant back up for the title track to Tony's new album, Golden. They mixed in some Bill Monroe tunes, but the highlights of his first set were a pair of new songs entitled “Angels We Know” and “Portlandia”. Furtado said that “Portlandia” was named after a sculpture of the same name, and with its driving banjo and amazing rhythm, the song was a showstopper. Even the drunk bachelorettes quieted down! Furtado commented on the fact that he had played a lot with Thorin and Christie but was just getting to know Grant. I found this to be a bit ironic considering just how talented and accomplished Tyler is, but I was happy to see them playing so well together.

Furtado took the stage by himself to fulfill a request of Tom Petty's “Running Down A Dream” from a member of the audience. His playing on this song was delicate, and it felt very much like he was playing his guitar with his banjo in mind. The members of the Tony Furtado Band headed back to the stage this time joined by Boulder picker Greg Schochet on mandolin and absolutely killed it with “Hurtin’ On My Right Side" to end the first set.  

The second set saw the core four performers returning for the duration. The show was very pleasing overall. The music offered a diverse sound all evening with Furtado pulling deep cuts from his catalog. Highlights included a beautiful “Standing in the Rain” as well as a crunchy granola version of “Need” which Tony mentioned was based on a bumper sticker he saw that simply said "Need Less." We finished our coffee and headed towards the door as they were starting their encore. I had a light ache in my heart for missing The String Cheese Incident, but I knew that I had made the most of the situation by attending the down tempo, intricate, acoustic show in a house of the Lord.  

www.tonyfurtado.com

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. www.octopusnebula.com Big Gigantic Big...

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least ...

Billy Strings 4.18.19

Salvage Station Asheville, NC Words by Jason Mebane Photos by J. Scott Shrader Photography When asked to write a review of last week's Billy Strings show at Asheville, North Carolina's Salvage Station I almost passed on it. I just wrote a review of his last Asheville show a few months ago and I thought it may be hard to come up with another set of words to describe to the readers exactly what a Billy Strings show is all about. I am sure there are a plethora of other reviews that other people have written focusing on how well he has mastered his instrument. I suppose I could recycle those thoughts and just sit here typing out a few adjectives describing each note Billy and his superb backing band played this past Thursday night, but that wouldn't be fun for me. Additionally I'd imagine a review like that wouldn't keep your attention either. Instead I have decided to focus on a few random parts of the Billy Strings show that seemed interesting to me. One: B...