Skip to main content

Larry Keel & Natural Bridge 2.11.11


Cosmic Charlie's
Lexington, KY

Words By Burk Fuqua
Photos By Rex Thomson


There is no better way to warm up on a cold February Friday night than to get out and catch some live music in a cozy downtown club. Lexington Kentucky's hippie haven, Cosmic Charlie's, was the place and Larry Keel and Natural Bridge were the headliners. Lexington's music scene was in full effect for the shortest month of the year. With great nationwide acts rolling through town back to back, it was almost like Central Kentucky was treated with a winter music festival to wet our appetite for the coming season.

Taking the stage first was a local trio, cleverly named The Barry Mando Project. The group is comprised of an electric baritone mandolin, along with various bass and percussion instruments. Most of the tunes were original works by mandolin player Danny Williams, however they also play alternative arrangements of songs from a wide range of styles. They have a light and loose Jazz feel to many of the songs, but certainly have the ability to bring it all together for more funky, and solid driving rock numbers. I, as well as most of those in attendance, enjoyed their musical styling's, but clearly we were ready to see fire and fury that was about to be bestowed up on us.

Larry Keel and his bass playing wife Jenny, have teamed up with Will Lee on banjo, and Mark Schimick on mandolin, together they are Natural Bridge. It was quite clear from the onset that Larry had come out to "Keel our face" with his stunningly technical flat-picking. It would be unfair to categorize this group as Bluegrass, after all how many Bluegrass bands do you know that fill the middle of their set with a very lengthy and dynamic "Jungle" by Grandmaster Flash. No, despite the types of instruments in hand, there is no defining the sound that Natural Bridge brings to the stage.

Since leaving the world of flat-picking competitions Larry has joined up with he likes of Keller Williams, String Cheese, and YMSB just to name a few. With his low rumbling voice and almost super-human chops, Larry has found a home on stages big and small, blending in with open strings as well as more plugged in psychedelic sound. Listening to them play, there is no doubt that there are roots that grow deep in the Appalachian mountains. With their own twist on traditionals, Natural Bridge harmonizes about corn liquor, living in the hills, and growing your own. Larry even takes time out for a public service announcement, when he poses a question in song, "How can it be wrong if it grows wild?"

Though Larry could easily stand alone and wow any crowd, as he proved in his solo encore, there is no doubt that his tremendous skills as a picker are greatly complimented by the impeccable timing of Jenny on her upright bass. While some bass players tend to lazily thump out the same tired line for seemingly ever song played, Jenny has a wonderful ability to keep up with Larry's speed and precision in a way only a wife could. With quick and tight tempo changes, and cleverly thought out bass lines, the instrument seems to have a voice of its own. Will Lee has his five finger roll down to such a science, that he can stand beside a world champion picker, and trade licks like a heavyweight in the ring. In many bands the banjo does not always receive the most accolades, not to mention the player, but there is no doubt that Lee holds his own in this group.

Mark Schimick on mandolin does a great job balancing out the overall sound with haunting trebles and rhythmic chops. Until the aforementioned 'Jungle", I was unaware of the rightful place of a F5 mandolin in a hip hop song. The blend of such talented musicians, and varied genres of music, made this night one that will be remembered by anyone who was lucky enough to be in attendance. The next time Larry Keel comes near your town with Natural Bridge, or any of his many projects, I highly suggest strapping on your boots and stepping out to see what sort of magic can be made with a few slabs of wood and a hand full of strings.

www.larrykeel.com

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. <--- Direct Archive Link www.octopus

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I