Words & Photos By J-man
Soulive is one of those bands that won't let you down. I have been seeing them for almost ten years, and what I can tell you is this: They bring it every night. Consistently. And they have been doing so for years... I can't recall ever seeing a bad Soulive show. Their aggressive approach to the music creates a high-energy vibe that's almost untouchable on the scene. I was fortunate to catch Soulive at the end of their "Rubber Soulive" tour, for two nights at Cervantes' Masterpiece Theater in Denver, CO.
I anticipated a hefty amount of Beatles tunes and Friday night they delivered. Let me first say, that I am not the biggest Beatles fan (Though I do respect their contribution to music). I did however really dig Soulive's album "Rubber Soulive", though I do much prefer the band's original music.
Alan Evans' precise groove on the drums had Cervantes' going crazy. He reads the direction of the music really well and leads with force. His serious look reflected his focus. His brother Neal Evans, located
The Shady Horns (Sam Kininger and Ryan Zoidis), were also present to add a funky layer to the Soulive vibe. I really dig the sound scape that Sam and Ryan create. Their sound is so full and pure sounding. Nigel Hall also joined the band on keys, and with the addition of the stage hand running back and for the accommodate Alan, they stage was pretty full.
Saturday evening Cervantes' would play host to Soulive's James Brown tribute, which clearly meant: an evening of funk. Over the years, Soulive has incorporated different sounds, styles, and musicians. But, none have effected/changed the band as much as Nigel Hall. I appreciate what Nigel does, but when I go to see Soulive, I much prefer the straight ahead jazz styling of the trio. Though, I understand his role in relation to the band. Being that it was a funk tribute, I knew prior to the show that we were in for a large dose of Nigel.
At the start of the second set in the James Brown fashion, Nigel Hall was introduced. With the accompaniment of the Shady Horns, Soulive delivered the funk. Throughout the second set there were issues with the drums and the mics. All of a sudden I would notice the mic stand going down, or a portion of the drum set falling apart and stage tech's literally running and sliding across the stage. It got to the point where Alan kicked over the mic stand out of anger/frustration and it went flying across the stage. For the remainder of the show Alan tore apart
Soulive closed the set around one o'clock am, wrapping up their encore by one fifteen. The lights came on and folks began to look around in a confused fashion... For a band that rages it like Soulive, I had anticipated a late encore. I was mistaken.
The two nights at Cervantes' with Soulive were extremely enjoyable with the exception of a few stage/sound issues. They are a band at the top of their musical game. If you get a chance to catch Soulive, don't pass it by...
www.royalfamilyrecords.com
J-man's full photo album from the show.
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