Skip to main content

DJ Logic: Miles Davis


Miles has influenced music in many ways. He opens up people to being creative and not having boundaries. He has influenced me musically, by pushing me to have no boundaries, to be experimental and to try new things, like different collaborations. He taught me to be open-minded musically and to take elements from here and there, and to experiment with. When I mix his music, it adds a certain element of expression and I try to engage in something that’s unique. I listen to the record and try to add little loops and work it how I hear it.

I’m actually about to do a tour called “Miles Davis Bitches Brew” where we play selected tracks off of “Bitches Brew“. I’m doing that with Graham Haynes, Lonnie Plaxico, James Blood Ulmer, Cindy Blackman, Marco Benevento, and Antoine Rooney. We’re doing some jazz festivals in the States, a free show in Brooklyn, Montreal Jazz Festival, and the New Mexico Jazz Festival. We’re hitting all of the jazz festivals and hopefully heading over to Europe as well. I’m looking forward to playing with those musicians in the spirit of Miles.



He influenced a lot of people and his music and albums always came out at the right time. They felt a certain way, at that right time. Like with what’s going on right now in the world with politics, racism, the economy, and the oil spill; there’s a whole lot of stuff going on. You look back at certain records like “Kind of Blue”, that came out at the right time. His records have so many different feels to them. It’s not just jazz, it has a rock vibe to it, a classical vibe to it. It all has a type of feeling that you can relate to, with the certain situations of that time. My favorite of his records are “Kind of Blue” and “Bitches Brew”. I listen to them a lot. “Sketches of Spain” is another one he did it when he was in Europe. He’s created some amazing music just from being in certain places and getting a feel or a certain vibe.

The time was right to talk about this, It’s his birthday and he’s looking over everybody who is associated with his life. Patting everybody on their backs, and it feels good. I knew his birthday was this month, but it hadn’t dawned on me until Justin said it. But, I’ve worked with a lot of people who worked with Miles, from Marcus Miller to Pete Cosy, Teo Macero who produced the majority of Miles’ records. Just to be able to be a part of working with those guys feels good.

-DJ Logic
www.djlogic.com

Comments

  1. Jason, Thank you so much for getting involved. It means a lot to me, and I think you bring a unique perspective to the site. I'm looking forward to future contributions.

    -J-man

    ReplyDelete
  2. Agreed. Great insight into one of the most influencial musicians of the past century.

    Logic,

    We'd love to have your Miles project at Detroit Jazz Fest!

    ReplyDelete
  3. "We'd love to have your Miles project at Detroit Jazz Fest!"

    I couldn't agree more.

    ReplyDelete

Post a Comment

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. <--- Direct Archive Link www.octopus

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I