The moon lit the evening sky, as a mass of people lurked out in front of the Washington Square Armory. The energy was high, and the excitement was clear. Entering the castle-like venue it was it became apparent that it was going to be a packed house, and sweltering hot. Upon passing through security, the lobby opened up to what appeared to be a large gymnasium. The house lights dimmed, the stage lit up and out came moe dressed in skeleton costumes. Approxamately two and a half weeks after their last show (due to tour/date cancellations) moe came out heavy.
The first couple of songs sounded good, with some good guitar work and a tease of what was to come in the light show. Then the song "Farmer Ben"... This song provided some rapping as well as a bummer of a vibe for the crowd, who was left looking around in confusion. Following up that mess was a version of Paul Simon's "Call Me Al". This was one of the songs on the fan based setlist voting that I did not really want to hear, but turned out sounding really good, and the crowd dug it. The first beast of the show came when they played "George" taking it through twenty plus minutes of wailing, dance and space. This was the first point in the show that the crowd went absolutely nuts.
The highlight of the show for me was the "Echos (Pink Floyd), Stash (Phish), Meat, Eyes of the World (Grateful Dead)>Echos, Rebubula>Darkstar (Grateful Dead)>Rebubula" This core section of the show really made it for me. It was great to hear moe cover a Phish song and jam it out harder than Phish. My level of excitement shot through the roof when they broke into the song that I voted on for the set; "Eyes". I was a little unsure of how it would sound coming from moe, but it had the same sweet, mellow, flowing vibe that the Dead created. The Rebubula was uber beastly and the crowd was extremely responsive. Then to go into "Darkstar right after playing "Eyes" caught me off guard, yet pleased me to the extreme. Finishing the segment with Rebubula...
For the encore moe came back out and played a version of Tenacious D's "Fuck Her Gently". For an encore, it was completely awful. A lot of the younger bro'ed out cats were really into it and screaming the words at the top of there lungs... Quite a mess. They then played "Don't Fuck With the Flow", which had a very swing/jammy grove. The encore's saving grace was "Crab Eyes" which left everybody wide-eyed, and completely killed.
Overall I thought the show was on. I thought the covers were well done, and the peaks were excellent. My main complaints were with the venue. They ran out of water after the third song, and by set-break were completely out of all water, Gatorade, and any sort of beer/alcohol. They were completely unprepaired, understaffed, and ended up putting a lot of people at risk for dehydration. This could have been a serious problem, and looking around I saw several people struggling to not pass out. It was extremely irresponsible.
Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. www.octopusnebula.com Big Gigantic Big...
Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least ...
Salvage Station Asheville, NC Words by Jason Mebane Photos by J. Scott Shrader Photography When asked to write a review of last week's Billy Strings show at Asheville, North Carolina's Salvage Station I almost passed on it. I just wrote a review of his last Asheville show a few months ago and I thought it may be hard to come up with another set of words to describe to the readers exactly what a Billy Strings show is all about. I am sure there are a plethora of other reviews that other people have written focusing on how well he has mastered his instrument. I suppose I could recycle those thoughts and just sit here typing out a few adjectives describing each note Billy and his superb backing band played this past Thursday night, but that wouldn't be fun for me. Additionally I'd imagine a review like that wouldn't keep your attention either. Instead I have decided to focus on a few random parts of the Billy Strings show that seemed interesting to me. One: B...
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